<h5 class="h5ResourceCategoryLinks"><a href="#contents">TABLE OF CONTENTS</a> -- <a href="#resources">RELATED RESOURCES</a></h5>

<h3 class="h3ResourceCategory"><a name="contents">TABLE OF CONTENTS</a></h3>
<ul>
  <li>00:00 -- Intro<br><br></li>
  <li>02:08 -- <strong>This Month's Featured Multitrack: Wesley Morgan's '<a href="[[~373]]#WesleyMorgan">Backroom In Tulsa</a>'</strong><br><br></li>

  <ul>
    <li>03:07 -- tom close-mic glitch</li>
<ul>
    <li><span class="spanPodcastMiniText">03:17 - 03:24 -- [[$podcastDemo]] raw tom 1 close mic recording (unprocessed track)</span><br><br></li>
</ul>
    <li>04:09 -- overheads background shout</li>
<ul>
    <li><span class="spanPodcastMiniText">04:19 - 04:24 -- [[$podcastDemo]] raw drum overheads recording (unprocessed tracks)</span><br><br></li>
</ul>
    <li>05:09 -- kick-drum low end</li>
<ul>
    <li><span class="spanPodcastMiniText">05:24 - 05:33 -- [[$podcastDemo]] raw kick-drum recording (unprocessed track)</span></li>
    <li><span class="spanPodcastMiniText">05:57 - 06:05 -- [[$podcastDemo]] raw stereo room mics recording (unprocessed tracks)</span><br><br></li>
</ul>
    <li>06:59 -- kick-drum phase relationship</li>
<ul>
    <li><span class="spanPodcastMiniText">07:35 - 07:39 -- [[$podcastDemo]] kick-drum mics with default phase relationship (equal balance of unprocessed tracks)</span></li>
    <li><span class="spanPodcastMiniText">07:40 - 07:44 -- [[$podcastDemo]] front-of-kick mic delayed 210 samples and polarity-inverted (equal balance of unprocessed tracks)</span><br><br></li>
</ul>

    <li>08:18 -- upright bass resonance</li>
<ul>
    <li><span class="spanPodcastMiniText">09:11 - 09:20 -- [[$podcastDemo]] upright bass mic 1 (unprocessed track)</span></li>
    <li><span class="spanPodcastMiniText">09:41 - 09:50 -- [[$podcastDemo]] upright bass mic 2 (unprocessed track)</span></li>
    <li><span class="spanPodcastMiniText">10:36 - 10:45 -- [[$podcastDemo]] upright bass mics mix (equal balance of unprocessed tracks)</span></li>
    <li><span class="spanPodcastMiniText">10:46 - 10:55 -- [[$podcastDemo]] upright bass mics mix with -14dB EQ notch at 73Hz (equal balance of tracks with communal processing)</span></li>
    <li><span class="spanPodcastMiniText">11:10 - 10:19 -- [[$podcastDemo]] upright bass mics mix with 73Hz EQ notch and sub-100Hz shelving-EQ boost (equal balance of tracks with communal processing)</span></li>
    <li><span class="spanPodcastMiniText">11:29 - 11:38 -- [[$podcastDemo]] upright bass mics mix with 73Hz EQ notch, sub-100Hz shelving-EQ boost, and moderate compression (equal balance of tracks with communal processing)</span></li>
    <li><span class="spanPodcastMiniText">12:33 - 12:42 -- [[$podcastDemo]] upright bass mics/DI mix with default phase relationship (processed tracks)</span></li>
    <li><span class="spanPodcastMiniText">12:43 - 12:52 -- [[$podcastDemo]] upright bass mics/DI mix with DI signal delayed by 280 samples (processed tracks)</span><br><br></li>
</ul>
    <li>12:57 -- vocal midrange</li>
<ul>
    <li><span class="spanPodcastMiniText">13:29 - 13:36 -- [[$podcastDemo]] raw vocal recording (unprocessed track)</span></li>
    <li><span class="spanPodcastMiniText">13:37 - 13:44 -- [[$podcastDemo]] raw vocal recording with 3.5dB EQ boost at 800Hz (processed track)</span></li>
    <li><span class="spanPodcastMiniText">14:29 - 14:36 -- [[$podcastDemo]] vocal recording in mix context (my rough mix)</span></li>
    <li><span class="spanPodcastMiniText">14:37 - 14:44 -- [[$podcastDemo]] vocal recording with 3.5dB EQ boost at 800Hz in mix context (my rough mix)</span></li>
    <li><span class="spanPodcastMiniText">14:45 - 14:52 -- [[$podcastDemo]] vocal recording with 1.5dB higher fader level, but no EQ, in mix context (my rough mix)</span><br><br></li>
</ul>
    <li>15:42 -- scratch-vocal track's spill levels<br><br></li>
  </ul>
  <li>16:22 -- <strong>Mix Critique: <a href="http://discussion.cambridge-mt.com/member.php?action=profile&uid=4933">Dangerous</a>'s mix of 'Backroom In Tulsa'</strong></li>
  <ul>
    <li><span class="spanPodcastMiniText">16:42 - 20:27 -- [[$podcastDemo]] Dangerous's full mix</span><br><br></li>
    <li>21:25 -- Critique Point #1: upright bass low-end consistency and weight</li>
    <ul>
      <li><span class="spanPodcastMiniText">21:48 - 21:59 -- [[$podcastDemo]] snippet of Dangerous's mix</span><br><br></li>
    </ul>
    <li>22:00 -- Critique Point #2: vocal midrange</li>
    <ul>
      <li><span class="spanPodcastMiniText">24:01 - 24:09 -- [[$podcastDemo]] lead vocal in mix context (my rough mix)</span></li>
      <li><span class="spanPodcastMiniText">24:10 - 24:18 -- [[$podcastDemo]] lead vocal in mix context with 1.5kHz EQ cut on drums buss (my rough mix)</span><br><br></li>
    </ul>
    <li>24:19 -- Critique Point #3: 'feature' automation</li>
    <ul>
      <li><span class="spanPodcastMiniText">25:09 - 25:26 -- [[$podcastDemo]] snippet of Dangerous's mix</span><br><br></li>
    </ul>
  </ul>
  <li>26:02 -- <strong>Affordable Plug-in Recommendation: ToneBoosters [[$software_ToneBoosters_TBSibalance]] de-esser</strong><br><br></li>
  <li>28:58 -- Outro <span class="spanPodcastMiniText">(Total Running Time 29:32)</span></li>
</ul>
 
<h3 class="h3ResourceCategory"><a name="resources">RELATED RESOURCES</a></h3>

<ul>
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<li><strong>Mix The Same Raw Multitracks Yourself:</strong> The raw multitracks for Wesley Morgan's 'Backroom In Tulsa' can be downloaded directly from <a href="[[~373]]#WesleyMorgan">The 'Mixing Secrets' Free Multitrack Download Library</a>. And make sure you check out <a href="http://www.thewesleymorgan.com/">Wesley's website</a> too, and support his music!<br><br></li>

<li><strong>Have Your Say About This Mix:</strong> The original thread featuring this month's critiqued mix can be found <a href="http://discussion.cambridge-mt.com/showthread.php?tid=14309">here in the Discussion Zone</a> -- I critiqued the version without the noise reduction.<br><br></li>
</ul>