<h5 class="h5ResourceCategoryLinks"><a href="#contents">TABLE OF CONTENTS</a> -- <a href="#resources">RELATED RESOURCES</a></h5>

<p>
<div data-wimpyplayer data-coverArt="[[$sitePrefixCMT]]SiteVideo/CMTPatrons_ChoirRecordingHeader.jpg" data-skin="/wimpy7/PatronsVideo640x360_001.tsv" data-media='[{"file":"[[$sitePrefixCMT]]SiteVideo/CMTPatrons_ChoirRecording.mp4","kind":"mp4","title":"Cambridge Music Technology: Cambridge-MT Patrons Video Preview: Recording A Choir In The Studio: A Dominant-array Miking Case-study"}]'></div><br><br>
</p>

<h3 class="h3ResourceCategory"><a name="contents">TABLE OF CONTENTS</a></h3>
<ul>
  <li>00:00 -- Intro<br><br></li>
  <li>01:35 -- <strong>A Three-mic Dominant Array</strong></li>
  <ul>
    <li><span class="spanPodcastMiniText">02:29 -- <span class="spanPodcastMiniTextAudio">demonstration:</span> Neumann SM69 stereo mic</span></li>
    <li><span class="spanPodcastMiniText">03:31 -- <span class="spanPodcastMiniTextAudio">demonstration:</span> comparing and balancing Neumann U87 spaced mic pair with Neumann SM69 stereo mic</span></li>
    <li><span class="spanPodcastMiniText">04:40 -- <span class="spanPodcastMiniTextAudio">demonstration:</span> comparing the sound of the SM69+U87 dominant array with and without phase-alignment delay</span><br><br></li>
  </ul>
  <li>04:58 -- <strong>Per-section Spot Mics</strong></li>
  <ul>
    <li><span class="spanPodcastMiniText">05:40 -- <span class="spanPodcastMiniTextAudio">demonstration:</span> tenor-section spot mic (Neumann U47 FET)</span></li>
    <li><span class="spanPodcastMiniText">05:49 -- <span class="spanPodcastMiniTextAudio">demonstration:</span> bass-section spot mic (Neumann U47 FET)</span></li>
    <li><span class="spanPodcastMiniText">05:59 -- <span class="spanPodcastMiniTextAudio">demonstration:</span> soprano-section spot mic (AKG C414EB)</span></li>
    <li><span class="spanPodcastMiniText">06:08 -- <span class="spanPodcastMiniTextAudio">demonstration:</span> alto-section spot mic (AKG C414EB)</span></li>


    <li><span class="spanPodcastMiniText">06:26 -- <span class="spanPodcastMiniTextAudio">demonstration:</span> comparing the per-section spot mics with the dominant array</span></li>
    <li><span class="spanPodcastMiniText">07:16 -- <span class="spanPodcastMiniTextAudio">demonstration:</span> blending the per-section spot mics with the dominant array</span></li>
    <li><span class="spanPodcastMiniText">08:07 -- <span class="spanPodcastMiniTextAudio">demonstration:</span> rebalancing tenor fill with per-section spot mics</span><br><br></li>
  </ul>
  <li>08:16 -- <strong>Per-singer Spot Mics</strong></li>
  <ul>
    <li><span class="spanPodcastMiniText">09:00 -- <span class="spanPodcastMiniTextAudio">demonstration:</span> comparing the bass section's per-singer spot mics with the overall bass-section spot mic</span></li>
    <li><span class="spanPodcastMiniText">09:34 -- <span class="spanPodcastMiniTextAudio">demonstration:</span> using low-pass-filtered per-singer bass mics to supplement the low end of the dominant array and per-section spot mics</span><br><br></li>
  </ul>
  <li>10:08 -- Credits <span class="spanPodcastMiniText">(Total Running Time 10:30)</span></li>
</ul>
 
<h3 class="h3ResourceCategory"><a name="resources">RELATED RESOURCES</a></h3>

<ul>
<li><strong>Mix The Same Raw Multitracks Yourself:</strong> My raw multitracks for the music performed in this video (Don Camillo Choir's 'The Marsh Marigold's Song') can be downloaded directly from <a href="[[~373]]#DonCamilloChoir">The 'Mixing Secrets' Free Multitrack Download Library</a>.<br><br></li>

<li><strong>More About Dominant-array Recording Techniques:</strong> For a more in-depth and wide-ranging explanation of dominant-array recording approaches, check out chapter 9 of my latest Focal Press book <a href="[[~370]]"><i>Recording Secrets For The Small Studio</i></a>. The Printable Stereo Protractor shown in the video can be downloaded from the book's resources pages <a href="[[~358]]#links">here</a>.<br><br></li>
</ul>

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